Asher Brown Durand
1796-1886
Asher Brown Durand Galleries
His interest shifted from engraving to oil painting around 1830 with the encouragement of his patron, Luman Reed. In 1837, he accompanied his friend Thomas Cole on a sketching expedition to Schroon Lake in the Adirondacks and soon after he began to concentrate on landscape painting. He spent summers sketching in the Catskills, Adirondacks, and the White Mountains of New Hampshire, making hundreds of drawings and oil sketches that were later incorporated into finished academy pieces which helped to define the Hudson River School.
Durand is particularly remembered for his detailed portrayals of trees, rocks, and foliage. He was an advocate for drawing directly from nature with as much realism as possible. Durand wrote, "Let [the artist] scrupulously accept whatever [nature] presents him until he shall, in a degree, have become intimate with her infinity...never let him profane her sacredness by a willful departure from truth."
Like other Hudson River School artists, Durand also believed that nature was an ineffable manifestation of God. He expressed this sentiment and his general views on art in his "Letters on Landscape Painting" in The Crayon, a mid-19th century New York art periodical. Wrote Durand, "[T]he true province of Landscape Art is the representation of the work of God in the visible creation..."
Durand is noted for his 1849 painting Kindred Spirits which shows fellow Hudson River School artist Thomas Cole and poet William Cullen Bryant in a Catskills landscape. This was painted as a tribute to Cole upon his death in 1848. The painting, donated by Bryant's daughter Julia to the New York Public Library in 1904, was sold by the library through Sotheby's at an auction in May 2005 to Alice Walton for a purported $35 million. The sale was conducted as a sealed, first bid auction, so the actual sales price is not known. At $35 million, however, it would be a record price paid for an American painting at the time. Related Paintings of Asher Brown Durand :. | Kindred Spirits | The Colonmade in Elysian Fields | Mary Louisa Adams | Sunday Morning | Pastoral Landscape | Related Artists: Michel Sittow (c.1469-1525) was a painter from Reval (now Tallinn, Estonia) who was trained in the tradition of Early Netherlandish painting. For most of his life, Sittow worked as a court portrait painter, for Isabella of Castille, the Habsburgs and others in Spain and the Netherlands. He was one of the most important Flemish painters of the era.
Lucas de Heere1534-1584,Painter, tapestry designer, draughtsman and poet. He was probably trained by his parents. The suggestion that he became a member of the Ghent Guild of St Luke before 1540 was derived from an incorrect interpretation of the Guild records for 1574-5. Van Mander recorded that, as a boy, de Heere accompanied his father on his trips to the stone-quarries of the Meuse region, where he made topographical drawings. Lucas was sent to Frans Floris's studio c. 1555 or shortly before to complete his training, and he may have collaborated with his master on tapestry cartoons and stained-glass designs, although no cartoons or preparatory drawings survive. During this period de Heere also became noted as a poet in the local rhetoricians' chambers. His father's influence helped him to gain commissions in Ghent from 1555, and, according to Marcus van Vaernewijck (1568), he worked on new stained-glass windows for the St Janskerk in Ghent in the same year. John Currey MarinAmerican artist ,
b.1870 d.1953
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